Karen ROSENBECKER Soup to Nuts: Euripidean Tragedy as Food in Aristophanes' Frogs
The union of wine, poetry, and the god Dionysus in Greek
ritual practice is often employed by poets as a powerful symbol of
the divine and seminal nature of their craft. It is curious,
then, that in the Frogs Aristophanes initially represents
Dionysus' longing for Euripides not in terms of wine, but rather as a
hunger for etnos, pea soup (60-67). This paper suggests
that Dionysus' hunger for Euripides qua pea soup underscores one of
the main themes of the Frogs: the gap between how tragedy should
affect the polis and the actual effects of a diet of Euripidean
tragedy.
Dionysus' longing for Euripides is
initially concretized as a gustatory phenomenon of a positive nature
(52-67). This desire literally eats at Dionysus (66) and is
itself a comestible in that the god has an appetite for it analogous
to Heracles' longing for pea soup (62). Although the comparison
of tragedy to pea soup does trivialize Euripides' work, his tragedies
do have a powerful effect when consumed (52-53, 59). Moreover,
pea soup, like lentils throughout Greek comedy, represents the simple
riches and civic virtue of traditional Athenian life. If
etnos is a staple within the diet of a morally healthy Athens,
then Aristophanes would seem to be implying that Euripidean tragedy
fulfills this role as well.
However, if we trace the parallels between
tragedy and food through the agon, we see that Euripidean tragedy is
actually "junk food" with deleterious effects on those who consume
it. Euripides, by removing the moral authority and
gravitas from the genre (940-41), has turned tragedy into a
sort of "drama lite" that causes those who consume it to become lazy
delinquents (1014-15, 1069-70, 1083-97) and to indulge in the
delights of the fishmarket (1068), a place whose wares encourage
unhealthy gustatory and civic practices.
Following this connection between "food
value" and "tragic value", it is of no surprise that Aeschylean
tragedy is of more substance then Euripidean. On the level of
the culinary metaphor, Aeschylus is the one providing the staple of
the Athenian moral diet and, although, Dionysus may have craved a
taste of Euripides, it is clear by the end that Athens needs a
serving of Aeschylus.